Two Poems by Alexander Lazarus Wolff

On the Wings of a Ray

The sunlight spirals from the sky, falling
down to the viridian ground on which
a couple sits who bask in light; the rich,
radiant rays are silken, a dove’s wing.

The emanations begin to thin, slanting
and sliding through a torn cloud, fading
to fuchsia that flows like water, shading
the sky as if it were canvas, granting

reprieve from the sun’s scorn. I watch—alone—
as the couple stands, gathers their things, kiss,
and walk away. Who’s there for me to miss?
By now, the moon has eclipsed the sun, has shown

faintly, its beam delicate strands of pearl.
Luminescence traces my skin, the moon—
my sole mate—evokes cognitions that noon
denies with harsh light. The mind will unfurl

as if it were a map. Its details, though,
are an endless catacomb: the thoughts stopped
at the root; psychic roads that sprawl are chopped
in half. In moonlit night, I’ve come to know

that from which I run: I confess that I
desire someone to tell me more than words—
love is as fleeting as a flock of birds,
and that dove has wheeled to the blown, black sky.

The cool caress of midnight comes again,
but there’s no comfort. The night wind’s whisper
is not so temperate, as though it were
fingers of ice grazing my tender skin.

While slow, light strengthens and the moon sinks
into a washed-out blue that spreads across
the sky. Dawn blazes, the knell for the loss
of night. The day has come and the mind blanks

at the sight. The night thoughts have all but drained;
the day has dawned. As for my loneliness,
perhaps today will give me one to miss.
Though, I’ve only a moon that’s all but waned.


Life

I’ve come to learn that some will care little
if life crumbles to glass shards, to brittle
fragments that slice your soft skin, the trickle

of blood that stains the white fabric of life.
Days rise and recede, a repeat of strife,
the ascendance of the moon’s sickle—a knife

tearing through the black tapestry of night.
Under the weak leakage of lunar light,
my pen traces the page; I try to write

the story of a better time. I’m told
that I should not desire control, to hold
the past and future in my palm. I’ve sold

my soul, I confess, to know how things end.
To where will the river of my time wend?
Such thoughts assail at night, and I can lend

only a guess as flimsy as cellophane.
Now, as the morning rises to attain
the sky, I’m left fatigued and with a train

of thought derailed, the steel is warped; the wood
rotted. Today, I hope to do more than brood.
I’ve come to learn that life must be withstood.




Alexander Lazarus Wolff‘s writing has appeared in The Best American Poetry website, Poets.org, The Citron Review, NDQ, Society of Classical Poets, South Florida Poetry Journal, Serotonin, and elsewhere. He graduated with honors from the College of William & Mary, where he won The Academy of American Poets Prize. He is a poetry editor for The Plentitudes. An MFA candidate, he teaches and studies at the University of Houston, where he is the recipient of three fellowships. You can find him and more of his work on Facebook, on Instagram/Twitter: @wolffalex108, and at alexanderlazaruswolff.com.

Two Poems by Jennifer Gurney

Introduction to The Bard

When I spent a summer
with my cousins in California
My aunt and uncle
took us to my first
Shakespeare Festival.
I was 10.

My aunt had
walked me through
the play beforehand
so I’d know what to expect.
I loved the drive
from Chico to
Ashland, Oregon
through the mountains
snuggled in the car
with my cousins
my uncle and aunt
taking turns driving
and my grandma
engaging us all in
word games,
always the teacher.

As we entered the
outdoor amphitheater
I was entranced by
the theater itself
with tiered rock seating
and the stage and sets
as well as the general
buzz of excitement.
And then it began.

Actors entered the stage
from all directions in
gorgeous costumes
speaking this
magical lilting language
that I couldn’t understand
and yet fell in love with
nonetheless.
It didn’t matter that
I wasn’t sure what
was going on,
exactly,
I was just there.
Fully in the moment.
Transfixed.
Hypnotized by the Bard.
At 10.

My aunt kept glancing
at me,
catching my eye,
and smiling.
She had the same
look on her face
as I had on my heart.
She, too,
was in love.
With the Bard,
with the night,
with life.
It was truly magical.

Then it started to sprinkle.
And a ripple ran through
the audience as
actors began to come
onstage
wrapped in clear
poofy raincoats
to cover their elaborate
expensive
costumes
yet allow the audience
to still see their
Elizabethan ware.

The nice man sitting
to my right leaned over
and whispered to me:
“Excuse me.
Can you please tell me
what’s going on?
People are laughing and
I don’t quite understand.”
Turns out he was blind
and couldn’t see the
raincoats.
So I quietly conveyed
this and he chuckled lightly
as well,
now that he was in on
the joke.
When the light rain ended
the actors continued on
and raincoats
as if nothing had happened.

Although I’ve gone
to countless
Shakespeare festivals
and plays
from Canada
to Michigan
from DC
to Denver
and multiple times
in Ashland
and even seeing
the reconstructed
Globe Theater itself,
none can compare
to my inaugural introduction
to the Bard
when I was 10.


Begin Today

Perhaps
I have already met
The love of my life

And been loved
The best I will ever
Be loved

And perhaps
These are the best of times
And it’s pointless

To yearn for more
More connections, more enjoyment
More fulfillment

And maybe one day
Looking back on these times
I will be wistful

Knowing
That they
Were good

And maybe
That should be
Enough

But really,
What I long for
Is more

One more great
Romance of a lifetime
To love and be loved fully

One more whirlwind
Trip somewhere new
And unseen

A book of poems
Picked up by a publisher
To leave my mark

More time with my
Children and grandchildren
To see them grow and fly

More time with friends
To enjoy
To live life fully

To be alive
In the truest sense of the word
Fully, unquestionably alive

Perhaps
I’m trying to make up for lost time from
The pandemic

For sure
I’m trying to sort through grief
From Mom and Grandma

Without a doubt
I’m feeling loss
From the separation

And to figure out
Who I am in the
Singular sense

And I know that
Facing a birthday with a zero
Makes me philosophical

It’s not even
That big of one
When I think about it

It’s just not how
I imagined my life would be
At this stage of the game

And so I pause
To reflect
And wonder

What do I want to do
With this one wild ride of life
I’m on

And as I lean in
To the question
I hear the whisper of my soul

Be alive
Live fully
Begin today




Jennifer Gurney lives in Colorado where she teaches, paints, writes and hikes. She is a newly published poet, at age 59, with over 150 poems in print thus far. Jennifer has also published commentary about poetry. During the pandemic, she joined the online poetry community of The Daily Haiku.

Two Poems by Larry Schug

A Servant of the Muse

for Ed Turley

I think if you’d have asked him if he was finished,
He would have said no, though his time here has ended.
I think he would have taken comfort that the music
Which paused awhile within him keeps searching this world
For other hearts in which to nest,
Music being the heart’s salvation as long as hearts beat,
And there remaining so many that long to hold it closely.

Music remains, the world being made of song,
Like money, you can’t take it with you.
And he wouldn’t have anyway,
Being but a conduit, a servant of his muse,
Only temporarily was music his gift to give,
He left it behind to echo within us.
I believe it would have been his wish
That we shelter these rhapsodies of the soul.
Though we grieve his passing, we’re blessed by his return
Each time a piano is, on this earth, somewhere played.


Autumn into Winter

The sun, under a blanket of cloud
a slow rising old man, not yet about his work
of turning the sky to blue,
after putting away the stars where he can find them again.

Two ruby throats,
already busy working blossoms of bee balm
caught in a shaft of sunlight,
gather sustenance for a pilgrimage,
following the sun, their fickle goddess,
as she migrates south for the winter,
taking her blossoms with her.




Larry Schug is the author of eight books of poems: Scales Out of Balance (1990), Caution: Thin Ice (1993), The Turning of Wheels (2001), Arrogant Bones (2008), Nails (2011), At Gloaming (2014), and A Blanket of Raven Feathers (2017) – all published by North Star Press of St. Cloud, Minnesota – and a chapbook, Obsessed with Mud, published by Poetry Harbor (Duluth, Minnesota). Caution: Thin Ice was a 1993 Minnesota Book Award finalist and Arrogant Bones was a 2008 Midwest Book Award finalist. Larry has won two Central Minnesota Arts Board Individual Artist awards, a 2014 Central Minnesota Arts Board Established Artist award and a 2008 McKnight Fellowship for Writers award. Larry lives beside a large tamarack bog with his wife and their dog and cats in St. Wendel Township, Minnesota.

Two Poems by James G. Piatt

Dawn Arrived in the Meadow

“I go to nature to be soothed and
healed, and to have my senses
put in order.” — John Burroughs

Dawn arrived in the meadow with a hint of
sweet fragrances of colorful wildflowers
wafting in the air. It awakened long-forgotten
memories in my mind about the apricot-colored
haze that sleeps in the woodland glen. The
woodlands are such special places, so colorful,
verdant, and serene. A place where downy birds,
holding on to gnarled tree branches, serenade
those who pass by, and ask for nothing more
than to give a piece of their tranquility, and a
serving of their sugared songs, to put the
human’s minds at ease. And I, an old man, listen
to them with dreams of past youthful days filled
with images of softly flowing streams flowing
into still, blue-skinned ponds, where wavering
reeds topped with brown tassels sitting like
sentinels on the side guarded the serenity of the
moisture. Forest meadows are places where the
misty atmosphere sings of summer’s beginning.
But anytime is a special time in the woodlands,
being in there is always a time when magic
awakens.


Another Day Comes

The rising apricot sun
ignites the dawn
clothing it with
a colorful visitation,
covering the remaining
night hours soaked in ebony.
Its daily tour over mountain
peaks and down into a
pink-tinted mist sleeping in
the earth’s hollows of
objectivity where things that
are invincible cover silent
things. Things that are
restless and vulnerable, like
people with aging time. My
solitary footprints in the soft
sedimentary loam leads me to
the new day with no promises
of beauty, or peace, but with
expectations born in naïve
hopefulness for them, like
fading hours caught in the
thundering clatter of stories
yet to be told.




James G. Piatt, a retired professor, and octogenarian, is a twice Best of Net nominee and four-time Pushcart nominee. He has had five poetry books, The Silent Pond, Ancient Rhythms, LIGHT, Solace Between the Lines, and Serenity, over 1770 poems, five novels, and thirty-five short stories published in scores of national and international literary magazines, anthologies, and books, He earned his doctorate from BYU, and his BS and MA from California State Polytechnic University, SLO.

Two Poems by Sharon Lask Munson

Arizona Twilight with Friends

I arrange the cheese, set out crackers,
pour the wine.

The patio’s tiled roof gives us shade
as we watch the antics of bunnies

listen to families of quail
make their presence known
by their three-chirp call.

Our words are soft-spoken.
We share dream vacations,
real and imagined

beloved books we still own
read more than once.

We disclose the last thing
we bought online
bringing us all to laughter.

Someone shares
the color of his first car

and the magic of remembering
continues with a first pet,
first best friend, first date.

In the distance we hear
the hoo-hoo-hoo of a Great Horned Owl

his stuttering rhythm
reminding us of the reach of time.

The sky turns to shades
of rose dust and fuchsia
as it settles into darkness

and we appear in the shadows
like silhouettes: an outline, a profile,
curve of a cheek.


Wade a Little Deeper, Darling

i.

Decades later he will tell her
how difficult it was,
the two of them fly fishing together

her lines getting caught in tree branches,
snagging rocks on the bottom of rivers.

His time spent untangling,
removing fish from hooks,
retying flies to leaders.

But he was young,
in the beginnings of their marriage,
hesitant to speak.

ii.

What she had really wanted
was a smooth flat spot on a wide log,
stretches of time to listen to water
eddy around a bank,
hear the music of songbirds,

observe the sun glaring off the water
like a million stars ricocheting,
study a hatch of mayflies rising
as rainbow trout snatch them in mid air,

to marvel as she watched
her young husband cast a line,
the bend of his bamboo rod,
a horseshoe for luck

time to sit against a slate-gray pine,
letting the lazy day take shape.




Sharon Lask Munson is a retired teacher, poet, old movie enthusiast, lover of road trips, with many published poems, two chapbooks, and two full-length books of poetry. She says many things motivate her to write: a mood, a memory, the smell of cooking, burning leaves, a windy day, rain, fog, something observed or overheard, and of course, imagination. She lives and writes in Surprise, Arizona. Find her at sharonlaskmunson.com.

Two Poems by Royal Rhodes

Afternoon Prayer

“We alone, a little flock,
   The few who still remain…”
                        –Amish Hymn

The county road that carried us north
    bordered a nearby field of mown hay,
       the second-cut stacked in peculiar bundles —

the mark of this plain folk, and the tedding
    shortly after the cutting that speeded drying,
       and the binding, like their own binding.

Our driver thought it was a herd of cows
    kneeling in the meadow, an incomplete Eden,
       distant from the other work of silo filling.

On the way back to our village homes
    we saw a great hay wagon slowly move
       in a pageant of toil, making the field a church.

Twin draft horses on strict six-hour shifts
    sweated in harness, as their hot manure
       dropped on the famished soil and stubble.

This was a broad bowl of earthy smells:
    honeysuckle, mown hay, some cast-off strawberries,
       while bearded men in wide-brimmed hats kept watch.

Edging this scene were tangled hedges and trees,
    a plant catalog of coltsfoot, wild geranium,
       Quaker ladies, Queen Anne’s lace, and ironweed.

The world deftly constructed here was a vast nest
    of goldfinch, cardinals, blue-jays, warblers,
       bluebirds, purple martins, dragonflies, and bees.

“O God Father we praise you,” their hymn of humility,
    was acted out in front of us as we passed,
       in the sadness and uncertainty of our seasons.

They came to this place, bonding with the land,
    and were taught by the phases of the luminous moon
       and wind currents to judge seed-time and harvest.

We slowed down, for just a moment, but could not hear
    the old German they spoke, stunned by God,
       as I trembled, knowing I heard nothing.


Voice from the Whirlwind

The storm never knew to stop
worrying the sagging roof,
the wind indifferent
that this is where I live —
but kept on battering
the silver metal sheets
set by Amish carpenters.

Death, distracted, passed me
overhead — for now —
where poems have acted
as a temporary guard,
as the vortex whipped,
lashed, and slammed
in whirlpool motion.

I left the shredded poems
where they fell with lumber
that could have made
a crucifix with broken nails.
Quiet came, as if a gift
of some departed spirit
that made the heartwood beat.

My heart will break — and has —
all vows that made me see
the temporary life I had
and would not always be
that showed as if I could
rest my head beside your head
and feel your wordless breath.




Royal Rhodes is a retired professor who taught classes in global religions, the Classics, religion & the arts, and death & dying. His poetry has appeared online and in a series of art/poetry collaborations for The Catbird [on the Yadkin] Press in North Carolina. His current project is a poetry/photography collaboration on sacred sites in Italy.

“Finches in the Geriatric Ward” by Lillian Morton

The molar-shaped hole still healing—dried blood, caved, new gum
beginning to fold over—I pick at it with my tongue.

The passing nurse teases how the finches are attracted to bright colors,
maybe one would land in your hair. They tap their beaks against the glass,
like morse code; me eyeing their very real, very untamed feathers.

Dad tells me, his loose canon of a thirteen-year old daughter, I cannot say
aloud what I know he is too thinking. It’s not just the smell of century-old perfume,
the ugly peeling wallpaper, the stains left on the carpet. We both see the finches’

wings, fresh from a clipping; the fluorescent sign—a sun that will never set
—the wrongness, the confrontation, the taboo of it all, an attempt
at peace, consolidation, grief; even inside a cage within a cage.

When I am noticed for my smooth hands I see the nurses’ hands
are cracked from their ritual washings—I allow myself to imagine
the shape of my new molar, what mold my gum cage will let it take.

An ancient wisdom tooth will erupt behind it, and even in this distant teenhood,
and the finches will continue to remain behind this glass wall, chirping,
flapping amongst the unchanging shades of frizzled, dying hair.

“Finches in the Geriatric Ward” was runner-up for the 2022 Colorado State University Creative Writing
Scholarship.




Lillian Morton is a writer based in Northern Colorado. She was born in Southern China and lived in Central Ohio during her childhood. Her poetry has appeared in issues by Laurel Moon, Polaris, and Dreamer By Night; her short fiction, “In Mason’s Time,” was honorable mention for the University of Colorado Boulder’s 2021 Thompson Writing Awards.

“Antechamber” by John Watts

Suits arranged like mute clones on chairs,
either swallowing fashion failure
or wishing to boast about tailor
fits. Ties could voice a thousand cares
about the adjustment of knots
but rest pains in Italian silk.
Buttons pose like exquisite dots
in the silence, uncomprehending
to the state of matters. Shirts, white
as a glass full of soya milk,
dream ignorantly under vests.
Wax-rubbed shoes know they aren’t pretending
and hope gaudy socks aren’t in sight,
wants to remind them they are guests.
Wristwatches want to smuggle out
from under sleeves and seduce eyes.
Make-up is confident of its
power but thinks the pierced nose unwise,
the cheek-glitter something to doubt.
Earrings don’t fret, knowing they’re trusted.
Tattoos cower rather than shout.
The handkerchief knows where it sits.
Meanwhile the pictures seem offended
by the turquoise walls. There’s a little
empathy if it could be said.
The air is the reproach of prattle;
this is anticipated, fits
that which is known to be ahead.




John Watts lives in West Sussex and studied English Literature at Kingston University. He is now studying for his MA. He has had work published with the Academy of the Heart and Mind, Friends of Falun Gong, and Homeless Diamonds.

Two Poems by Patricia Furstenberg

I Am Built

I am built on my ancestor’s dreams,
Of glass that was shores and wood that was trees;
I am built on my parent’s blueprints,
Of tears of joy, and white nights of dreams.

I stood on land that came all wrapped up,
Bows of rivers and a note of clouds.
I grabbed it, too eager, I opened my gift,
Forgot to say “thank you”, too greedy to live.

I lived and I loved and I used up my gift,
I forgot to look back; now I’m lost in my dream.
One last chance I am given, build my blueprint,
Gift others life, and love, and dreams.

I am sand, I am earth, I’m the seed of a tree,
I’m the foundation where others can raise their dreams.
I know for I looked back this time;
Life moves forward by recalling the past.


Like a Ladybird on a Daisy

A ladybird
dashes through my field of view,
recklessly she aims for all directions at once
like a hysterical airplane
that lost an engine.
Acute are the depths
of its diving
and the smears or red
in the still day,
like the tick line
of a teacher’s pen,
break the silence.
How do you perform CPR
on a ladybug
crossed my mind.
I’ve even drawn back
and offered her
my personal space:
the garden table,
wrought iron painted green,
my notebook
where I doodled
a daisy in black ink.
She darts still,
diving and nearly crash-landing
then performing an emergency recovery
and soaring again.
It knows geometry, I see,
it swirls and traces circles now
frisky over my notebook
where it lands.
On my doodled daisy.
I bow and thank
for such a compliment.
and look around
for an offering of sorts.
A cookie crumb,
for I can’t bring myself
to sacrifice an ant.
Wouldn’t that be execution?
The ladybird reads my mind
and saves me,
spryly dashing away.
I bow in thanks.




Patricia Furstenberg, with a medical degree behind her, has authored 18 books imbued with history, folklore, and legends. The recurrent motives in her writing are unconditional love and war. Her essays and poetry have appeared in various online literary magazines. Romanian-born, she resides with her family in South Africa.

Two Poems by Felicia Nimue Ackerman

Professor Superstar Turns 65

Today is your 65th birthday.
Your status is ever so clear.
Your colleagues have set up a tribute
Extolling your shining career.

They bask in the secondhand honor
That flows from their honoring you.
They thrill to the visiting speakers,
Who radiate eminence too.

“Society’s far too unequal,”
Your colleagues are prone to lament.
But strictly within their profession,
They worship the top one percent.

“Professor Superstar Turns 65” first appeared in The Chronicle of Higher Education.


Dessert is Counted Sweetest

after Emily Dickinson’s “Success”

Dessert is counted sweetest
By those who need to diet.
When doctors won’t stop nagging,
I fantasize a riot.
Not one of all the cakes and pies
I might forgo today
Could fail to bring me pleasure–
Though later, much dismay.

“Dessert is Counted Sweetest” first appeared in The Emily Dickinson International Society Bulletin.




Felicia Nimue Ackerman is a professor of philosophy at Brown University and has had over 250 poems published in a wide range of places, including sixteen in past issues of Sparks of Calliope.