Two Poems Submitted by a Plagiarist

Harbor

The poem formerly published here was actually a plagiarized version of a wonderful poem by Bruce Bond entitled “Neilah; Creature” which was published in The Hudson Review. Please take the time to read his poem there.

Dislocated

The poem formerly published here was actually a plagiarized version of a wonderful poem by Professor Dorsía Smith Silva entitled “The Q & A Section” which was published in Claw and Blossom. Please take the time to read her poem there.

You can read our response to the matter here.




“Kings” by Churl Sullivan

Across the whale-roads ride Sons of Thor
hulls bound for glory, heads painted for war
a-wing the drake-ships for distant shores
to carve our names in Ymir’s oar
                    Embark we the Norns bescyle!
Through fearsome storm, o’er water dark
six hundred sail, six hundred stark
for we see Hloridi in lighting arc’d
                    He heralds the Kings of the Isles

How bleak the face of Cape Wrath’s span
how rough the strait we pierce to land
how dense the mist, gray-ghast the sand
how gnash’d that hellmouth rocky strand
                    Enfang we the Norns bescyle!
Let Midgard tremble, let Christian flee
let foes be dashed upon the scree
let keen across the lochs their plea:
                    “Rule us, ye Kings of the Isles!”

Six hundred leap from karves afoam
six hundred charge onto the holm
six hundred reap amuck the loam
six hundred cleave into the gloam
                    Ingrieve we the Norns bescyle!
Across the moor blood-rivers wend
wine-dark with woad and Pictish end
tonight their weak-kneed witan bend
                    to name us Kings of the Isles

Now fly our colors and blow the horn
let feast the crows on them life-lorn
this fight hard-won by men oath-sworn
one hundred by five hundred mourned
                    Arrive we the Norns bescyle!
But what awaits us in the nether?
bind we bonds that Skuld should sever?
dream we fools to rule forever?
                    forever as Kings of the Isles




Churl Sullivan is a writer of no repute from St. Louis, Missouri, for whom a nominal association with boorish, intractable yokels is a great badge of honor. He’s been published nowhere, as a harlot has better odds at heaven than he at literary legitimacy; and until such time as this is no longer the truth, he’ll be napping in his pithos. You can find him at @Churl_Sullivan, but you probably shouldn’t.

Two Poems by Sir Walter Raleigh

Sir Walter Raleigh (1552-1618)

Sir Walter Raleigh (1552-1618) stands as a Renaissance luminary celebrated for his profound impact on poetry and literature, alongside his adventures in exploration and his complex life at the English court.

Born in Devon, England, Raleigh initially pursued a military career, where he showcased bravery and intellect in campaigns across France and Ireland. Yet, it was his charisma and intellectual prowess that enchanted Queen Elizabeth I, elevating him to a cherished courtier. Beyond his martial pursuits, Raleigh’s pen proved his might.

Raleigh emerged as a prolific and celebrated poet, his verses adorned with eloquence and poetic finesse. His literary masterpiece, “The History of the World,” attested to his intellectual acumen. However, it was his lyrical poetry that secured his status as a poetic icon.

Amid his poetic pursuits, Raleigh sponsored expeditions to the New World in the late 16th century, notably the ill-fated Roanoke Colony venture in present-day North Carolina. These ventures, though challenging, laid the foundations for future English colonization in the Americas.

Raleigh’s cultural influence extended beyond verse. He introduced tobacco to England, a legacy that endures, and popularized the “Raleigh cloak” in fashion.

Yet, Raleigh’s life took a dramatic turn with his secret marriage to a lady-in-waiting, leading to a fall from favor and imprisonment in the Tower of London.

During King James I’s reign, Raleigh embarked on a perilous journey to South America in search of El Dorado. His defiance of the King’s orders ultimately led to his arrest and tragic execution.

Sir Walter Raleigh’s enduring legacy as a poet remains etched in history, his verses continuing to inspire. He exemplified the indomitable spirit of a Renaissance man who also left an indelible mark on the world of letters, as evidenced in his poems below.


The Nymph’s Reply to the Shepherd

If all the world and love were young,
And truth in every Shepherd’s tongue,
These pretty pleasures might me move,
To live with thee, and be thy love.

Time drives the flocks from field to fold,
When Rivers rage and Rocks grow cold,
And Philomel becometh dumb,
The rest complains of cares to come.

The flowers do fade, and wanton fields,
To wayward winter reckoning yields,
A honey tongue, a heart of gall,
Is fancy’s spring, but sorrow’s fall.

Thy gowns, thy shoes, thy beds of Roses,
Thy cap, thy kirtle, and thy posies
Soon break, soon wither, soon forgotten:
In folly ripe, in reason rotten.

Thy belt of straw and Ivy buds,
The Coral clasps and amber studs,
All these in me no means can move
To come to thee and be thy love.

But could youth last, and love still breed,
Had joys no date, nor age no need,
Then these delights my mind might move
To live with thee, and be thy love.


A Vision Upon the Fairie Queen

Methought I saw the grave where Laura lay,
Within that temple where the vestal flame
Was wont to burn; and, passing by that way,
To see that buried dust of living fame,
Whose tomb fair Love, and fairer Virtue kept:
All suddenly I saw the Fairy Queen;
At whose approach the soul of Petrarch wept,
And, from thenceforth, those Graces were not seen:
For they this queen attended; in whose stead
Oblivion laid him down on Laura’s hearse:
Hereat the hardest stones were seen to bleed,
And groans of buried ghosts the heavens did pierce:
Where Homer’s spright did tremble all for grief,
And cursed the access of that celestial thief!


The informational article above was composed in part by administering guided direction to ChatGPT. It was subsequently fact-checked, revised, and edited by the editor. The editor/publisher takes no authorship credit for this work and strongly encourages disclosure when using this or similar tools to create content. Sparks of Calliope prohibits submissions of poetry composed with the assistance of predictive AI.

Two Poems by Joshua C. Frank

Ballad of the Video-Game Hero

I rode in a mine cart, back home from the land
Of my favorite video game,
Through the pixelized prairie and vast seas of sand,
Over rivers of lava and flame.

The hero sat there in the rickety cart
Staring off into pixel-sky space,
Much older than on the game cartridge’s art,
With tears on his wide, wrinkled face.

“I’m leaving and never returning,” he said.
“Come listen and hear my sad story.
The princess and I, we hoped someday to wed,
Way back in the days of my glory.

“The dragon would kidnap the princess, then I
Would run through an obstacle course
To his minions’ dark castles in mountains up high
And take back their strongholds by force.

“My princess was in the last castle I’d raid;
I always found treasures to haul.
The Kingdom would welcome me with a parade
And a sumptuous banquet for all.

“But after some years, the dragon found ways
To undermine me and my quest.
He gave up the tactic of ‘pillage and raze’—
Bribed the people with treasure-filled chests!

“My princess then fell for the dragon’s top minion;
The Kingdom surrendered the war
And exiled me out of the dragon’s dominion—
They don’t want to be saved anymore!”

We came to my world, and we sealed up the gate
To the land of his video game.
My world is secured from his land’s tragic fate,
But I’m worried for us just the same.

For evil has bribed all the people here, too,
With shiny new gadgets galore.
No more do they care for what’s good and what’s true—
They don’t want to be saved anymore!


The Adventures of Verb

At six, I had a dictionary
Where I would meet a man named Verb,
Superb and quite extraordinary.
In every definition’s blurb,
Right at the finish, did while doing,
For example: “Verb chewed, chewing.”

In my mind, I saw Verb clearly,
With brown hair, mustache, thin, and tall.
“Verb smiled, smiling” sincerely
And “Verb told, telling” me of all
That “Verb did, doing” through his days
Within a sentence or a phrase.

“Verb ran, running,” “Verb swam, swimming,”
“Verb vaulted, vaulting,” “Verb gave, giving,”
“Verb bought, buying,” “Verb trimmed, trimming,”
“Verb flew, flying,” “Verb lived, living,”
One day I came real close to crying:
The day I read that “Verb died, dying.”

I looked up “verb,” and then I knew,
It’s not a man who lived and died;
It’s just a word that means to do.
Relieved, I put the book aside
And ran outside, where I “played, playing”
The things Verb did that still “stayed, staying.”

“Ballad of the Video-Game Hero” and “The Adventures of Verb” were first published by The Society of Classical Poets.




Joshua C. Frank works in the field of statistics and lives near Austin, Texas.  His poetry has also been published in The Society of Classical PoetsSnakeskinAtop the Cliffs, and The Asahi Haikuist Network, and his short fiction has been published in Nanoism.

Two Poems by Chelsea Lynn La Bate

Madness

On my way to madness
I took off my housedress,
left it loosely arranged like a donut
on the floor
where I thought
I would die alone.

Then I leapt,
not out the window,
but to the next room
where I was found
by officers and neighbors
naked on a puffed, white blanket,
swollen with victory
still stuttering to God.

The battle had been won
between light and evil,
predator and victim,
snake and dove.

I had been deeply afraid,
but when I pressed palms with death,
I found myself in great company.

Does an alarm sound in the heavens
when a child of the Earth
is approaching the gates?

Who curates the unseen team
that guides us beyond?

I purged the house,
littered the lawn with
a thousand glittering buttons,
drowned books in garbage pails,
laid out old clothes as bait,
for the demons.

I was instructed to run fans
to scramble my scent,
stack hangers as traps,
cover every black hole
that could be used by spies.

Reflective surfaces
became aid to keep watch,
dance, a release
blue flowered shawls draped me
in the Holy Mother’s protection.

Now in my sane mind I ask –
When does medicine become addiction?
Creativity, delusion?
Imagination, mania?

Is trauma the gateway to enlightenment?

How can the cries of our ancestors
be soothed if we don’t fall through
dimensions to sing beyond the veil?

And how will we ever shake loose
that which is plaguing us
if we are afraid
to worship wildly
in a house
,which is seldom visited?


Today I Asked the Butterfly

Today I asked the butterfly
what it’s like to be a butterfly.
She perched on the purple skirt
of a petunia and asked –
“What’s a butterfly?”

I blushed with shame
at the notion of assigning a name
to someone who never named herself,
someone who is so absorbed in being
that she doesn’t need identity.

I started to move in ways
I had never moved before.
Losing my name meant
I could become the unknown,
a pattern, an echo, a prayer.

I mimicked the bear, the great moose,
the rhino, the squirrel.
I morphed and shifted,
but when I thought of the butterfly
I felt the most uplifted.

I didn’t know the God in me
until I became the small,
winged one who drinks from
the hearts of flowers.




Chelsea Lynn La Bate had her first psychotic episode at the age of 39 in her home in Asheville, NC. Since then she has suffered three more episodes. The poems in her newly released book “Free Roses,” tracks the ecstasy of psychosis and the interconnectivity of all living creatures which she experienced while in trance. She now lives in Florida.

“Again” by Addison Affleck

The curtains were pulled askew, the floor was marked
And strewn with cigarette butts, lilac perfume
Lay thick upon my clothes and the bed on which I lay,
Where dust and ashes crept beneath the covers.
She faced away, thinking that I slept
While powdering her face and humming church songs.
I heard her sing, “What matters dear”, and as she turned abreast
Came a soft silence, and I knew she was lighting her cigarette.

She did not touch the smoke, or run her fingers
Through my trailing hair, or lift my head with tender hands
And blush my face with smiles and kisses;
The fairest creature from the earliest Spring,
Outside her step always seemed to pity the moss it pressed;
Yet inside the silent motions of passing death stifled her voice,
While black fire rushed through her veins, lapped at her heart,
And filled the bed chamber with hymns and smoke.

Our small village stood a long mile from town;
From there, each Friday, I drove a far stretch through stormed down
And shaggy woods to clear my lungs, their secret bitter throes
Waning from the broad liquid waves of fresh air.
To me, sheer miracles of loveliness lie in the lone man’s hike
Through thorn-choked basins and wintry colds;
Breathless in high altitude, foreviewing the dew dropping earth.
What is more lovely than this?

At mountains peak, I glanced downwards on the grass,
And the grass bowed when airs of heaven stroked its blades,
Lifting itself again when the clouds had passed;
Alas in the silent hours of eve, I was reminded
Of her sweet-scented voice, rising to stand
Like a solitary dove and spread my bright wings.
I sang, “What matters dear”, and as I turned abreast
Came the praises of mountain wind, and she knew I was alighting the Earth.

Days, weeks, months, years afterwards, when we both grew gray
with spent skin and aches from tired bones; One day I awoke to find her
Lifeless beside me, lying with a cruel stress
Upon her eyelids where the powder used to crease,
Where I used to plant gentle kisses upon her flowered brow.
The bedchamber then began to lose its smell, lilac
And smoke grew thin and faint along the floors,
Even as her beauty passed quite away.

Upon a windy summit I stooped to pluck an aster
And watched the grass bow upon my hand’s approach.
This was the sight that called my heart to answer the lost question:
Why strive when love is gone?
Beneath crimson trees, wind wrapped me in a heavy embrace
As I built a small fire beneath the clouds, which watched
With great intensity the flames yawn in the weary sky;
Where I struck flint and shut out the troublesome noise of life.

From the strokes of heat, smells of lilac
And smoke roared back to life, dancing with wintry mountain air.
Tears did not fall, sobs would not come, because I still loved her memory
And always I would smell of smoke and mountains.




Addison Affleck is a poet, writer, and a “Romantic at heart.” Born in Washington, she grew up sandwiched between forests and the ocean, in the rainy city of Seattle, and has since lived in Northern Washington. Deeply engaged with ethnobotany, her work takes up animistic perspectives of nature and humanity’s relationship with it. Her published poetry and prose have found homes in scholastic literary magazines, the Hibiscus Review, the Raven Review, and others.

Two Poems by Michelle DeRose

Empty Room

Once a day I tour his room
the cat no longer naps in, dust
the shelf his helmet used to fill,
the dresser drawers now empty. He left
his too-small clothes for me
to sort. I chose two shirts
so swiftly outgrown they weren’t
laundered and now am wrapped
to my wrists in a dark blue
new to me. Tomorrow a surgeon far
from here will splice his nerve
and tendon, re-stitch his ring
finger’s flesh, and leave a scar
from his love for somewhere else.


Charmed Weekend for Beverly and Sue

We hug as we meet in the street
for the first time in seven years,
exclaim how unchanged we appear
while local cabbies honk and glare
but fairy dust keeps all their fingers
wrapped around the steering wheel.
The hugs are tight, with arms we know
from thinner times, darkened to
admired tans in past July’s.
We sort through photos of former frogs
with too-large spectacles and hair
feathered and center-parted.
The world’s compelling charms to seek
the kiss, the crown, the dress have dropped.
We are surrounded by the spell
of easy narration: I don’t need to tell
them that once upon a time
I had a brother, but one crisp
October day I bit an apple;
or Beverly, that she was hit
with one apple after another.
We talk instead how a prince still stuns
even without hair, but he won’t—
and birds won’t either, for that matter—
bring happiness on a sparkling platter,
of teaching step-children to talk
when they’re not used to open doors,
of how we wake ourselves from sleep,
and learn to peel the fruit,
how we select the words each day
with which we shape our ever after.




Michelle DeRose teaches creative writing and African-American, Irish, and world literature at Aquinas College in Grand Rapids, Michigan. Her most recent poetry has appeared or is forthcoming in Sparks of CalliopeDunes Review, Making Waves, The Journal of Poetry Therapy, and Healing Muse.

Two Poems by Sukumar Ray

Sukumar Ray (1887-1923)

Sukumar Ray (1887-1923), a luminary in Bengali literature, graced the literary world during the late 19th and early 20th centuries with his unique blend of wit, humor, and poetic brilliance. Born into a family steeped in literary tradition, Ray inherited a legacy that would see him become a renowned poet, writer, and illustrator in his own right.

Sukumar Ray embarked on his academic journey at the prestigious Presidency College in Kolkata and later pursued higher education at the University of London in England. During his time abroad, he immersed himself in the study of fine arts, linguistics, and literature. The Western humor and literary traditions he encountered played a pivotal role in shaping his distinct brand of humor.

Upon his return to India, Sukumar Ray wholeheartedly embraced his creative calling, leaving an indelible mark as a poet, writer, and illustrator. His magnum opus, “Abol Tabol” (1923), remains a masterpiece of nonsense literature that continues to enchant readers of all ages. Filled with bizarre characters, whimsical rhymes, and satirical critiques of contemporary society, “Abol Tabol” stands as a timeless classic in Bengali literature.

Tragically, Sukumar Ray’s promising literary journey was abruptly cut short when he passed away at the tender age of 35, on September 10, 1923. Nevertheless, his legacy endures through his writings, which continue to evoke joy and laughter across generations. His talent for infusing humor with keen social observations and his gift for wordplay have established him as an enduring literary figure in Bengali literature.

The following two poems, “Baburam the Snake Charmer” and “Uncle’s Invention,” are examples of Ray’s unique literary talents.


Baburam the Snake Charmer

Hullo, there Baburam – what have you got in there?
Snakes? Aha – and do you think there’s one that you could spare?
You know, I’d love to have one, but let me tell you this–
The ones that bite aren’t right for me – nor the ones that hiss.
I’d also skip the ones that butt
As well the ones that whistle
Or the ones that slink about,
Or show their fangs, or bristle.
As for eating habits, I think it would be nice
To go for ones that only take a meal of milk and rice.
I’m sure you know the kind of snake I want from what I’ve said,
Do let me have one, Baburam, so I could bash its head.


Uncle’s Invention

Chandidas’s uncle has invented a device
Which is causing everyone to praise it to the skies.
When Uncle was a year old, or maybe even younger,
He came out with a lusty yell that sounded just like ‘Goonga.’
At such an age most other tots just manage ‘Glug’ and ‘Mum,’
So ‘Goonga’ like a thunderbolt, struck everybody dumb.
And all who heard, said ‘Here’s a boy – provided he survives—
Will one day surely bring about a change in human lives.’
It seems the day is here at last, and victory is won
With what will make a five-mile walk seem like only one.
I’ve seen the contrivance myself and say with confidence,
Never had invention had such greater significance.
Let me tell you how it strikes the eyes of a beholder:
First of all, one notes that you must strap it to your shoulder.
An arm extends, and from its end one notes there hangs a hook
To which you bait some food – stuff which you either buy or cook.
Naturally the choice depends upon you predilections
(It’s wiser to restrict yourself to hookable confections).
The sight of morsel dangling close provokes the urge to eat
Which, transcribed to your motive force, soon propels the feet.
Before you know you’re on the go, your mind, intent on feeding,
But since the food is travelling too you never stop your speeding.
The outcome, I need hardly add, will change our whole existence,
Because we’ll walk for nourishment, and never mind the distance.
No wonder there’s a move afoot to honor Uncle soon
For bestowing on humanity an everlasting boon.


The first draft of the informational article above was composed in part by administering guided direction to ChatGPT. It was subsequently fact-checked, revised, and edited by the editor. The editor/publisher takes no authorship credit for this work and strongly encourages disclosure when using this or similar tools to create content. Sparks of Calliope prohibits submissions of poetry composed with the assistance of predictive AI.

These translations from the original Bengali were found on the web without attribution and are used here under the fair use doctrine for educational purpose.

Two Poems by Alexander Lazarus Wolff

On the Wings of a Ray

The sunlight spirals from the sky, falling
down to the viridian ground on which
a couple sits who bask in light; the rich,
radiant rays are silken, a dove’s wing.

The emanations begin to thin, slanting
and sliding through a torn cloud, fading
to fuchsia that flows like water, shading
the sky as if it were canvas, granting

reprieve from the sun’s scorn. I watch—alone—
as the couple stands, gathers their things, kiss,
and walk away. Who’s there for me to miss?
By now, the moon has eclipsed the sun, has shown

faintly, its beam delicate strands of pearl.
Luminescence traces my skin, the moon—
my sole mate—evokes cognitions that noon
denies with harsh light. The mind will unfurl

as if it were a map. Its details, though,
are an endless catacomb: the thoughts stopped
at the root; psychic roads that sprawl are chopped
in half. In moonlit night, I’ve come to know

that from which I run: I confess that I
desire someone to tell me more than words—
love is as fleeting as a flock of birds,
and that dove has wheeled to the blown, black sky.

The cool caress of midnight comes again,
but there’s no comfort. The night wind’s whisper
is not so temperate, as though it were
fingers of ice grazing my tender skin.

While slow, light strengthens and the moon sinks
into a washed-out blue that spreads across
the sky. Dawn blazes, the knell for the loss
of night. The day has come and the mind blanks

at the sight. The night thoughts have all but drained;
the day has dawned. As for my loneliness,
perhaps today will give me one to miss.
Though, I’ve only a moon that’s all but waned.


Life

I’ve come to learn that some will care little
if life crumbles to glass shards, to brittle
fragments that slice your soft skin, the trickle

of blood that stains the white fabric of life.
Days rise and recede, a repeat of strife,
the ascendance of the moon’s sickle—a knife

tearing through the black tapestry of night.
Under the weak leakage of lunar light,
my pen traces the page; I try to write

the story of a better time. I’m told
that I should not desire control, to hold
the past and future in my palm. I’ve sold

my soul, I confess, to know how things end.
To where will the river of my time wend?
Such thoughts assail at night, and I can lend

only a guess as flimsy as cellophane.
Now, as the morning rises to attain
the sky, I’m left fatigued and with a train

of thought derailed, the steel is warped; the wood
rotted. Today, I hope to do more than brood.
I’ve come to learn that life must be withstood.




Alexander Lazarus Wolff‘s writing has appeared in The Best American Poetry website, Poets.org, The Citron Review, NDQ, Society of Classical Poets, South Florida Poetry Journal, Serotonin, and elsewhere. He graduated with honors from the College of William & Mary, where he won The Academy of American Poets Prize. He is a poetry editor for The Plentitudes. An MFA candidate, he teaches and studies at the University of Houston, where he is the recipient of three fellowships. You can find him and more of his work on Facebook, on Instagram/Twitter: @wolffalex108, and at alexanderlazaruswolff.com.

Two Poems by Jennifer Gurney

Introduction to The Bard

When I spent a summer
with my cousins in California
My aunt and uncle
took us to my first
Shakespeare Festival.
I was 10.

My aunt had
walked me through
the play beforehand
so I’d know what to expect.
I loved the drive
from Chico to
Ashland, Oregon
through the mountains
snuggled in the car
with my cousins
my uncle and aunt
taking turns driving
and my grandma
engaging us all in
word games,
always the teacher.

As we entered the
outdoor amphitheater
I was entranced by
the theater itself
with tiered rock seating
and the stage and sets
as well as the general
buzz of excitement.
And then it began.

Actors entered the stage
from all directions in
gorgeous costumes
speaking this
magical lilting language
that I couldn’t understand
and yet fell in love with
nonetheless.
It didn’t matter that
I wasn’t sure what
was going on,
exactly,
I was just there.
Fully in the moment.
Transfixed.
Hypnotized by the Bard.
At 10.

My aunt kept glancing
at me,
catching my eye,
and smiling.
She had the same
look on her face
as I had on my heart.
She, too,
was in love.
With the Bard,
with the night,
with life.
It was truly magical.

Then it started to sprinkle.
And a ripple ran through
the audience as
actors began to come
onstage
wrapped in clear
poofy raincoats
to cover their elaborate
expensive
costumes
yet allow the audience
to still see their
Elizabethan ware.

The nice man sitting
to my right leaned over
and whispered to me:
“Excuse me.
Can you please tell me
what’s going on?
People are laughing and
I don’t quite understand.”
Turns out he was blind
and couldn’t see the
raincoats.
So I quietly conveyed
this and he chuckled lightly
as well,
now that he was in on
the joke.
When the light rain ended
the actors continued on
and raincoats
as if nothing had happened.

Although I’ve gone
to countless
Shakespeare festivals
and plays
from Canada
to Michigan
from DC
to Denver
and multiple times
in Ashland
and even seeing
the reconstructed
Globe Theater itself,
none can compare
to my inaugural introduction
to the Bard
when I was 10.


Begin Today

Perhaps
I have already met
The love of my life

And been loved
The best I will ever
Be loved

And perhaps
These are the best of times
And it’s pointless

To yearn for more
More connections, more enjoyment
More fulfillment

And maybe one day
Looking back on these times
I will be wistful

Knowing
That they
Were good

And maybe
That should be
Enough

But really,
What I long for
Is more

One more great
Romance of a lifetime
To love and be loved fully

One more whirlwind
Trip somewhere new
And unseen

A book of poems
Picked up by a publisher
To leave my mark

More time with my
Children and grandchildren
To see them grow and fly

More time with friends
To enjoy
To live life fully

To be alive
In the truest sense of the word
Fully, unquestionably alive

Perhaps
I’m trying to make up for lost time from
The pandemic

For sure
I’m trying to sort through grief
From Mom and Grandma

Without a doubt
I’m feeling loss
From the separation

And to figure out
Who I am in the
Singular sense

And I know that
Facing a birthday with a zero
Makes me philosophical

It’s not even
That big of one
When I think about it

It’s just not how
I imagined my life would be
At this stage of the game

And so I pause
To reflect
And wonder

What do I want to do
With this one wild ride of life
I’m on

And as I lean in
To the question
I hear the whisper of my soul

Be alive
Live fully
Begin today




Jennifer Gurney lives in Colorado where she teaches, paints, writes and hikes. She is a newly published poet, at age 59, with over 150 poems in print thus far. Jennifer has also published commentary about poetry. During the pandemic, she joined the online poetry community of The Daily Haiku.