Two Poems by David Sapp

Changed Everything

I knew she could
Churn butter
Roll cut and dust
A heap of noodles
Hang a mountain of laundry
In the middle of winter
On clotheslines by the quince trees
Snap a mess – a bushel basket
Of green beans under the willow
In no time at all
Bake twenty pies for Grange
In an afternoon
Put up a cellar full
Of pretty Mason jars
Peaches pears cherries
Beans and beans and beans
Kill a spider without
Hesitation or trepidation
Say “bullshit” when anyone lied
Or showed signs of nonsense
According to her sisters
Win “every damn time”
At Uno Flinch Rook Euchre 
I saw her drive the tractor once
When my uncles couldn’t
Come to help bale hay –
But that didn’t surprise me
It was when I saw Grandma
In her chair after a long day
Readied to read the paper
When her light winked off
And it wasn’t the bulb
“Go get the pliers” she said
And I watched as she rewired
The lamp – just like that
Her fingers swift and sure
(There were several moments
I could say changed everything)
This was another
Just like that I knew
I could do anything


As If for Emphasis

For a while there
Before she could
Form the words she
Intended or demanded
(And was maybe
Better off for it)
Before a deluge
A lifetime of words
To communicate with
The breadth of the world
Annika my granddaughter
Would on occasion
Stomp her tiny foot
Accompanied by
A laugh or squeal
As if for emphasis
To a little thought
Or out of satisfaction
In performing a task
Occupying her attention
But not I think
Out of frustration with
Her lack of eloquence
In conversation
(Thus far)
When she stomped
Her tiny foot
Her expression
Was a giddy joy
She stomped saying
All’s right with me
And all around me
For the moment




David Sapp, writer and artist, is the recipient of Ohio Arts Council Individual Excellence Grants for poetry and art and is a Pushcart nominee. His poetry and prose appear widely in the United States, Canada, the United Kingdom, and Asia. His publications include articles in the Journal of Creative Behavior; several chapbooks; a novel, Flying Over Erie; a book of poems and drawings, Drawing Nirvana; and five books of poetry and prose, Finally Chopin, Love and History, Acquaintances, A Precious Transience, and a memoir titled The Origin of Affection, winner of the Violet Reed Haas Poetry Award.

Two Poems by Mark B. Hamilton

Under a Hazy Sun

Without the sun to lift this dreary weather, we
might lose our confidence in Nature—that faith
that hovers above our human body’s frailty.

Before Mother Earth inspires spring, its wraith 
of furrows will tow us through wending places
but guide our passing, as if a living breath.

In sweat that freezes, I recognize their faces,
these men who heft logs into place. They are bold,
with hearts combining into every crafted brace.

With winter’s numbing cold, they tightly hold
onto hope, and build the frames of solid hearths
from muddy wattle into a chimney’s scaffold.

Their efforts could comprise our only worth,
these huts the tumbled columns of an ending
for this, a story urging outwards towards myth.

To those who seek its truth by the telling
a squared, plumbed measurement does matter
as value and as pleasure expressed in the doing.

At noon I write, as Floyd arrives with a letter
from Lewis who supports McFarland’s intention
in claiming expenses he justly incurred, after

sustaining troops during the Whiskey Rebellion.
I walk up the hill for a meridian with sextant,
for the latitude of our camp under a hazy sun.

Then, I order Shields and Floyd out to hunt
for turkeys roosting above in thickening sleet.
The keelboat needs adjustment of stores in front.

As we wade hip-deep in the ice on freezing feet
for barrels to carry ashore and stack under guard,
we pound the loose pries with mallets to reseat.

Yet the Boat tilts farther, and harder aground,
and there is nothing more we can do or replace.
A frosty mist hinders the work, and has slowed

even the chimney builders, so I have them place
two Commissary horses in taking the load
from men’s shoulders, dragging logs in traces.

With teams, our hauling men now stride the road
enthused with new and more hopeful emotions.
The happy alterations have changed their mode

of work, diminishing fears and predilections
that Old Hermit Winter might not care to flee
the sapling’s leaf, preferring to keep them frozen.

With more horses and eight more men, Drewyer
returns, although none of them are in readiness.
The men stand idle like rotted poteaux-en-terre,

as a wall without apparent worthiness.
I send for another team of horses and for corn
and turnips from Griffeth’s farm, when a witness

from past campaigns does visit me this morn—
a Delaware Chief of the Greenfield Treaty
which ceded much land. Our greeting is sworn

in remembrance, and we talk with whiskey,
a bottle which he declares is good. At best,
this welcome has stayed the raw weather, as we
huddle in huts with his Indian words, and rest.

“Under a Hazy Sun” is an original history-based poem adapted from: Gary E. Moulton, ed., The Journals of the Lewis & Clark Expedition, Volume 2, (University of Nebraska Press, 1986), 134-40.


Fresh Venison

A boon! The hunters hang the air with deer
recovered, swinging frozen, the blind fetch
made easy since far off it’s crows we hear
around those heaps of guts in a snowy ditch,
like a wallow of blood. While Drewyer again
hangs three more, plus turkeys at the fork,
a fourth is added by his Indian. The other men,
who lately arrived, have now begun to work—
to set a roof upon their hut without more loss
of my good opinion, which does mend. To folks
in the country, I send Shields paddling across
for butter, where he does well to avoid a soak
from pirogues trading south toward St. Louis.
A Frenchman, stops to visit, and confides in me
that several good voyageurs wish to join us,
as engages who know well the lower Missouri,
but he holds a strong concern for retaliation
from the Spanish Commandant, as his authority
remains absolute. I talk of our new possession
of Upper Louisiana, promising to pay a fee
for their knowledge, come spring to the Ocean.

“Fresh Venison” is an original history-based poem adapted from: Gary E. Moulton, ed., The Journals of the Lewis & Clark Expedition, Volume 2, (University of Nebraska Press, 1986), 140-41.




Mark B. Hamilton works in diachronic forms to transform content. Along with his scholarly expertise in the era of the Lewis and Clark Expedition, 1803-1806, he has traced their entire route on their approximate time-table, traveling as they did by paddle and pack mule—a 3-year, 8,000 mile journey. A forthcoming volume of traditional verse, 1803: The Wintering, won First Honorable Mention for the Donna Wolf-Palacio Poetry Prize. Based upon the journals of Captain William Clark while at Camp Dubois, during the winter of 1803, this book will be available from Finishing Line Press in January 2026.

Two Poems by Ron Riekki

After the fist fight at the bus stop

After the fist fight at the bus stop, we all stand there,
          still waiting for the bus, and
the boys are gone, three of them, because odd
numbers make everything worse and it was in
winter when it’s too cold to argue, but there it
was, the fists and the notebook papers every-
where and the snowflakes punching all of our
faces so gently and it all came on so fast, this
stop where there are too many of us, the red
apartment complex painted with fire where
seventy-nine percent of us live and fathers
buried in the mines and their soot-in-brains
and the noon dynamite explosions on week-
days every week like clockwork and work
in the mines is for those whose history has
been swallowed, and there is a peace, now,
with the boys gone, the bloody boys, with
their tumbling fight, the circus-y wrestling,
the barks of I’ll kill you and no one killed,
no one, really, all that hurt, just a bunch of
books destroyed, covers lying like corpses
on the ground, and no one picks them up;
instead we are all silent, the snow silent,
the bus in the far distant silent, the mines
just out of sight screaming their silence.


On the day they fired me

On the day they fired me, they took all my
          possessions and never gave them back,
because corporations can do anything they want
and I worked hard for them, overtime and under-
time and holidays and holy days and when I was
sick and when I was dying and even after I died
I worked for three months for free, but still they
fired me, but I found out that four months later
they fired my boss who fired me and I thought
of that moment, with her, surprised, absolutely
unprepared for karma, and it made me smile to
know that we all fail in the end.




Ron Riekki has been awarded a 2014 Michigan Notable Book, 2015 The Best Small Fictions, 2016 Shenandoah Fiction Prize, 2016 IPPY Award, 2019 Red Rock Film Fest Award, 2019 Best of the Net finalist, 2019 Très Court International Film Festival Audience Award and Grand Prix, 2020 Dracula Film Festival Vladutz Trophy, 2020 Rhysling Anthology inclusion, and 2022 Pushcart Prize. Right now, Riekki’s listening to Cat Powers’ “Werewolf.”

Two Poems by Lynn White

An Alphabetical Error

We had a map,
of course we did!
And the names of the streets
were clearly written
in English.
The names on the streets
were also clearly written
but in Cyrillic Greek,
of course they were!
This was Athens in 1966
and we were struggling
to find the Folk Museum.

Then we had a stroke of luck!
We spied a grand building
with sentries in national dress
standing outside
and we knew we’d found it!
So we went inside
and wandered around for a bit.

It was unusually empty,
the rooms and corridors devoid
of the expected folk exhibits.
A smartly dressed woman
descended the stairs
carrying a file of paper.
We asked her if she had a Guide.
She threw us out!
Of course she did!
The Royal Palace was not open to tourists!

It was to be an unrepeatable incursion.
A few months later the colonels took power
and everything changed
except the alphabet.

“An Alphabetical Error” first appeared in Pure Slush, 25 Miles From Here Anthology.


Where Are They Now?

In 1967, I hitch-hiked to Belgrade.
My friend and I would take an overnight train
to stay with our Albanian friends
in what is now Kosovo.
Until then we had some hours to kill.

The local cafe culture called
and we ate a modest meal,
two great slabs
of the ubiquitous cheese puff pastry
washed down with colas.

We went to the counter to pay
but the Server refused our money.
He pointed to a table where some guys
were enjoying a few beers.
They had already paid, he said.

We were mystified.
They had made no contact with us
and we tried to tell them we could not accept.
They explained that
they wished to thank us
for the help Britain had given in WW2.

Fast forward to 1999
when the right to self-determination was all the rage.
and NATO bombs were falling on Belgrade.
I thought about them a lot back then.
I think of them now
when territorial integrity is all the rage
and the right to self-determination
a forgotten dream.

Yes, I think of them now
when the bombs
fall in Europe
once again.

But I still have my friend in Kosovo.
Sometimes we feel human,
sometimes not.

“Where Are They Now?” first appeared in Topical Poetry.

Lynn White lives in north Wales. Her work is influenced by issues of social justice and events, places, and people she has known or imagined. She is especially interested in exploring the boundaries of dream, fantasy, and reality. She has been nominated for Pushcarts, Best of the Net, and a Rhysling Award. You can find her on her blog or on Facebook.

Two Poems by Marieta Maglas

Memories

Our love mixes with seaweed,
a sweet memory,
sprinkled with salt. It grows
between the breeze
and the hurricane,
the fruit of an inner struggle.
The green waves crash
in a murmur that
cools the warm and
ancient sand; limits; perception.
New tides of change
cast our minds back;
the courage to exist.
In the space between
ancientness and nowness,
our perfect love is eternal,
a song for a dance,
an invisible one, and
a wave-like movement
on the shores of our hearts.
We can feel our holy angels,
wounded wings,
echoes of a distant cry.
In every salty breath, a prayer
and a promise.
Between freedom and serfdom,
we fathom our dodecahedral geodesic,
spiritual sphere out.
The reality is circumjacent;
contiguous eyesight.
The voice of God becomes an echo
to inhabit the twilight world.


Echoing Shells

Bleeding shadows seemingly run away;
disappear into the blazing sand.
Wet rays hit the skin;
change the meaning
of the colors.
A new song cannot be heard;
It is not born yet.
Waves covering dead shells,
lost steps, and destroyed castles
echo with the inner silence.
Battleships are eaten imperceptibly
by the horizon.
The gales remain to scream
in the blue while bringing
ghosts to the shore.
‘Tis a new time in the old one~
always different.
Nature seems to be the same;
suffering brings peace
in an invisible way~
in this need for love.




Marieta Maglas has been published in The MockingOwl Roost, Lothlorien Journal, Verse-Virtual, Silver Birch Press, Sybaritic Press, Kingfisher Poetry, Oddville Press,  Prolific Press, Dashboard Horus, Coin-Operated Press, Mayari Literature, Synchronized Chaos, Al-Khemia Poetica, PentaCat Press, The Queer Gaze, Phoenix Z Publishing, All Your Poems Magazine, Journal of the Akita International Haiku, and others. Her poems have also appeared in anthologies such as Near Kin: A Collection of Words and Art Inspired by Octavia Estelle Butler, Nancy Drew Anthology, The Cardinal Anthology Vol. 3, Ain’t no Deadbeats Around Here, and Startled by MUSIC 2023.

Two Poems by Matthew Johnson

The Neighborhood Rhapsody

Mothers and grandmothers take turns
Looking over the brood, gripping their eyes to the world
That is their neighborhood.
 
Young men whose shifts begin in the evening, or began in the morning,
Bark at each other over feet that may or may not have
Been over the three-point line, and they get dizzy, 
Smack-talking and chasing each other over the perimeter and under the sun.
 
Little girls hopscotch on days-old chalk,
And come round again, joyfully,
And patiently wait for each other’s turn.
 
The rest of the kids, perfecting the method of carelessness,
Open the hydrants, bathing in the waters of the city,
Washing the sweat and sun that coated the skin,
That had left only dust.
 
A million bees zoom on by,
Tilting their heads one way,
And then to the other, looking for flowers.
 
The chatter of old men talking gossip and old athletes they remembered
Is far more interesting than their marathon games of dominoes.
 
When the golden gaze of the sun has faded,
Street meat smoke and spices rub up against the stars,
Perfuming the air with tastes and tenderness,
And the days are so long, that we lose track of the hours…


A Character Analysis of Michael Corleone

Al Pacino as Michael didn’t make it cool to be a gangster; 
Capone, Scarface, and Nino Brown seemed to have a lot more fun
When they were depicted in cinema,
Seeing how far they could push themselves and the world to its limits,
All the while, flaunting death and feeding poison to the neighborhood.
There’s no glamour in the vice in the second Godfather like in other mob movies;
There’s a lot of compromising and negotiating, 
Like discussions between senators.
He’s not cursing. He’s not using drugs. 
He’s not jubilant on jobs and hits well done. 
Shootouts between rival mobs are sexy on the big screen and television;
But for Michael, this Macbeth of Mario Puzo,
The battles are mental burdens and betrayals
And failing marriages, and so they aren’t things
I nor audiences would be inspire to emulate. 
And yet, I can suffer with him, despite it.




Matthew Johnson is the author of the poetry collections, Shadow Folks and Soul Songs (Kelsay Books), Far from New York State (New York Quarterly Press), and the chapbook, Too Short to Box with God (Finishing Line Press). His work has appeared or is forthcoming in The African American Review, Heavy Feather Review, London Magazine, and elsewhere. He has been recognized with several nominations and recognitions, including from the Best of the Net, Grand View University, Hudson Valley Writers Center, and Pushcart Prize. He’s the managing editor of The Portrait of New England and poetry editor of The Twin Bill. Learn more at https://www.matthewjohnsonpoetry.com.

Two Poems by Mike Chrisman

After the aquarium

I hadn’t known I would want a ceremony
when my big angelfish died
that I raised from a nickel-sized thing
to a silver dollar or greater, but I didn’t
want to toss it in the toilet
like my grandfather’s cigarette butts,
so my ten-year-old daughter and I
bundled up against February
and walked the road a half mile
until the culvert that opens
into a pool almost deep enough
to swim, certainly to snag a brookie
or two as the neighbor boys will,
then down the steep bank six or eight
feet through thigh-deep snow, my daughter
struggling in my path until we stood
at the pool’s edge, where I said some words
about a fish from the tropics gracing
our northern home, then thanked it before
bending down to let it slide
from the plastic bag, surrounded
by warm aquarium water, shiny
onto the icy brook’s surface, where
it spun briefly before catching
current southward, down Avery Brook
to the Deerfield, the wide Connecticut,
into Long Island Sound, the sea…
then father and daughter trudged
home, while the fish receded
into memory. As will we.


View from el parque central

on a wooden bench watching the tourists,
the Mayans, the pigeons navigating
among each other, the concrete
path littered with fallen
jacaranda petals. I’m sitting
to eat my little cup of ice cream
and remembering an ancient time:
summer, Central Illinois, and Zesto
soft-serve, plus three kids
happy with their cones;
a nickel each in ’55 –
cheap even then – and the short trip
home in our Chevy station wagon
perched on a more dangerous bench:
the tailgate lowered, where we ride
backward, our short legs nearly
touching the pavement … and jouncing
slowly across the train tracks –
“Hold on, kids!” to the house,
where our big collie waits
to greet us, his reward the sweet
and soggy cone-bottoms none of us
would have believed might survive
in memory seventy years after the fact.




Mike Chrisman is retired, living in Antigua, Guatemala. He worked for years in the mental health field in rural Western Massachusetts. He earned his MFA in Creative Writing at UMass Amherst. Chrisman has three daughters and five grandkids. His poetry book, Little Stories, has an ISBN, and his own translation of the Bible, The Bible: Warts and All  is on Amazon Kindle.

“Last Night” by Matt Wood

A solar storm hit Earth last night.
I’d seen a headline warning about it,

so I wanted to keep an eye out.
Rare auroras filled the sky

as far south as our neighborhood
as about one billion tons of plasma

collided with the atmosphere at
one million miles per hour only

to be transmuted into the frailest
of colors fluttering like Paganini’s bow

through chromatic scales of stars.
But I forgot to look.

I wish I could say I saw it, but
I went to bed without even glancing

outside. I was thinking of work,
wondering if I’d have time to get

groceries tomorrow, wishing
the weather would change,

listening to the ceiling fan while
falling asleep beside you, who

were surely dreaming something
more amazing than anything

I could have missed.




Matthew Wood lives in Colorado and works as a mechanic. His work is forthcoming in Eunoia Review.

Two Poems by Kelly Terwilliger

The Album of Horses

The dust jacket is falling apart.
On the front, the horse and her foal,
white and brown, brittle now. And the red painted
panels of a stable wall on the back,
ready to crumble away,
pieces of book dust
horse dust.
You dream of horses— you told me
that’s how you fall asleep at night, and I’m sure
you didn’t imagine how happy this made me,
you showing me how you let go
walking into the green field
where the horses are waiting,
where I imagine them now, resting,
leaning down for a ripped mouthful of grass
or brushing against a companion’s flank.
Slow thoughts. Slow thoughts sliding by
as the wind crosses their backs without even lifting the hairs.
The skin ripples,
twitches under some lazy buzz.
When do you drift off? We never know, do we?
Partway across the field?
Or close enough to feel the animal heat—
already, the slipping away as fleeting
as dream itself.      Palominos,
I read, are not a breed
but a color more gold than gold.


Little Clouds

Turn my pockets out and there’s sand,
there’s always sand, no matter how far I go
from where I began.
But today, there are some clumps
of what had been a scrap of paper, now a wad
of little clouds, all their ink washed away.

This fluff is like something just born,
Before all definition.
I read somewhere that people once believed
bears licked their formless newborns
into being. In their winter caves,
bears shaping tiny bears with their tongues.

The sky is white today, and soft, too soft to write on.
Someone has found a way to write in water
so the writing stays, at least a little.
You need an implement so small
that moving it to trace a shape won’t create
an eddy that carries the word away.
So far, they’ve managed a hovered J, a G, a U
within the dot of an i.

Me, I’ve always liked how words dissolve
in water, dissipate in air.

Walking home, I see a puddle the size of a quarter.
It holds the sky’s reflection,
a milky white eye
on the darkened ground.




Kelly Terwilliger is the author of two collections of poems, A Glimpse of Oranges and Riddle, Fish Hook, Thorn, Key. She lives in Eugene, Oregon, where she works in schools as an oral storyteller and teaches storytelling to children and adults.

Two Poems by Philip A. Lisi

Order of Operations

First Tuesday of every month for six,
I drive you to the hospital.
You like riding high in my truck,
seeing everything, even as your legs,
skeletal parentheses in denim,
might not make the step up
after this latest round of chemotherapy.

Outside your house, I wait on your porch.
Always prompt, you appear at the door,
corners of your mouth accented with dried saliva,
math textbook tucked tightly under your arm,
the laminate peeling back from the edges,
no pocketbook, no cardigan
draped over your arm.
I suspect you know its precise dimensions
and calculated its weight
in proportion to your featherweight frame.

Inside the treatment room,
Rosen’s Discrete Mathematics Teacher’s Edition
holds your attention.
Perhaps, there is comfort in the familiarity–
brackets, square roots, variables,
old friends to polynomials, a fleeting balm,
one last attempt to solve,
the calculus of cancer.

Last night, on the eve of your final treatment,
I think about how I cried over the same tattered text
and endless algebraic equations,
sitting at your kitchen table, mind wandering,
wishing your oatmeal cookies
would somehow make the numbers make sense.
Now, abstract calculations take your mind away
from the discrete pain of the needle
and the drip that kills as it sustains.


Among the Hemlocks

Among the hemlocks,
on the shores of Lake Wallenpaupack,
a thick-pelted mink scampers
up and over lichen-coated granite
left dry on the banks,
just out of aqueous reach.

I marvel at her slinky deftness,
her effortless, oily movement among the stones,
her back flexing to match the gentle waves,
rippling astride her hop-dive-curl-stretch:
lovely syncopation in walnut brown.
Then, finally, in mid hop-curl,
she is gone.

My father has made it halfway down
the steep stone steps
that lead to the water’s edge.
From there, I take his hand
and help brace his body,
so fragile now I barely feel
its weight against my arm.

I take care he does not misstep—
a fall would surely mean a break,
the final hobbling of an already
failing frame.

Together, we reach level ground and pause.
We talk about the great blue heron
seen from the window early this morning–
how enormous they must be to take up
so much of the pane at a glance—
and at that distance!
I tell him of the wooly mink,
long and sleek and blink-swift.

My father says little—
A manifestation of his condition,
his neurologist tells me.
But I suspect he is thinking
about the mink with envy
as I offer my arm for ascension.




Philip A. Lisi lives in Lancaster, Pennsylvania, where he teaches English at his high school alma mater by day and writes poetry and flash fiction by night alongside his family and the ghost of their cantankerous Wichienmaat cat, Sela. His work has appeared in Sparks of Calliope, The Abbey Review, Litbreak Magazine, Rosette Maleficarum, and the Serious Flash Fiction anthology.