“Halloween, 2019” by James Croal Jackson

Now that I live on a well-traveled
street, you’d think I’d pass candy on
the designated day. I was at
Shady Grove for the first hour.
The servers were vampires,
I was wearing a poncho.
The lights were off (how I like it)
when I got home, not a soul in sight.
And it was trash night. So I gathered
the usual garbage and recycling,
set it by the door. And when I opened
it a kid vaporized from nowhere
chanting trick or treat! trick or treat!
give me something good to eat!
Staring at me carrying white
marinara-stained bag and a baby
blue bag in the darkness
of the porch and I said,
I don’t have anything,
thank you– I mean, sorry.
In my navy sweatpants
I walked briskly to the curb,
the wind wanting to push me
toward the black gravel of the road
but I swiveled the direction
of home. A gaggle of swan tweens
flew toward me! I covered my face,
put my head down, walked up the blind
trio of stairs far from the rustling
footsteps and laughter and wind
and turned the living room light off,
shawled myself with the couch blanket
and reached for a crinkling half-bag
of factory favorites, a Milky Way
or Kit-Kat somewhere on my rug.




James Croal Jackson is a Filipino-American poet who works in film production. He has three chapbooks: Count Seeds With Me (Ethel Zine & Micro-Press, 2022), Our Past Leaves (Kelsay Books, 2021), and The Frayed Edge of Memory (Writing Knights, 2017). He edits The Mantle Poetry from Pittsburgh, PA. Find him at jamescroaljackson.com.

“Delightful Terrors!” by Ken Gosse

This year, at the annual Halloween Fest,
there’s a contest to vote for The Best of The Best:
the spiders and bugs crawl for Creepiest Creeper;
the Dark Siders point out the Reapiest Reaper;
the ladies (and men) bawl for Weepiest Weeper;
and cleaning crews know it gets deeper and deeper
while they do their best to take care of the rest.

Behind the scenes, places where most never go,
the painters and stagehands bring life to the show.
Decor makes decorum an unwelcome guest:
magicians hide secrets within a loose vest;
the carneys make sure their booth beats all the rest
and players hold cards very close to their chest
while the children run wild, ’cause tonight, there’s no “No!”

There’s candy galore for the girls and boys,
not to mention the gamut of five-and-dime toys.
Adults have fun, too: “Throw the ball—just hit one!”
“C’mon—try again! Gee, you’re having such fun!”
“A very close miss! One more hoop and you’ve won!”
“For only two tickets, I’ll reload your gun!”
And while losing, reliving their childhood joys.

The night lingers on till the full moon’s bright glow
drops beneath the horizon when goblins below
are collected by mothers and brothers and pops
once the crazy-mazed rides have all made their last stops
and the parking lots clear with the help of the cops
as you wander away ’fore your last eyelid drops
and you savor each flavor while homeward you go.




Ken Gosse prefers writing short, rhymed verse with traditional meter, usually filled with whimsy and humor. First published in First Literary Review–East in November 2016, his poems are also in The OffbeatPure SlushParodyHome Planet News OnlineEclectica, and other publications. Raised in the Chicago suburbs, now retired, he and his wife have lived in Mesa, AZ, over twenty years.