Two Poems by James A. Tweedie

Summer Days

Beneath a broad-leafed maple tree, the sun
Spreads shifting green-shade shadows on the lawn.
As overhead, where new life has begun,
The chirps of hungry hatchlings greet the dawn.

The coolness of the morning dew belies
The mid-day heat that soon will sear the air
And fall like silent rain from cloudless skies
To bathe the earth in whispered, wordless prayer.

Yet underneath the tree a freshing breeze
Anoints the sheltered shade as sacred space
Where angels, dressed as butterflies and bees,
Descend as earth and heaven interlace.

And there the little child who leads them plays,
And idly whiles away his summer days.


We Dreamed of Tomorrows

The chill winter wind bites through flesh to the bone
As grey steely skies freeze the sun in its place.
My exhaled breath adds a cloud of its own,
Congealing to ice on my hair and my face.

How often we walked on this path to the sea
On warm summer days when the dune grass was green.
We danced to the sound of the waves; we were free.
We dreamed of tomorrows and things yet unseen.

The children we raised now live lives of their own.
The years came and went, with a blink and a blur,
What once was unseen has become what is known,
And dreams we once dreamed have become what once were.

I shiver as wind chills my flesh to the bone
And walk on the path through the dune grass, alone.




James A. Tweedie lives in Long Beach, Washington. To date he has published six novels, three collections of poetry, and one collection of short stories with Dunecrest Press. His poetry has appeared nationally and internationally in both online and print publications. He received first place in the 2021 Society of Classical Poets poetry competition, and was a Laureate’s Choice Award winner in the 2021 Maria W. Faust sonnet contest.

Two Poems by Herman Melville

Portrait of Melville by Joseph Oriel Eaton, oils on canvas, 1870

While participating in a memorial ceremony this weekend for the Union dead from Missouri units at the battle of Shiloh, I heard an orator read the first of two poems below written by Herman Melville (1819-1891), perhaps most famous for his epic novel Moby-Dick. It struck me how his famous tale of the obsessive hunt for Captain Ahab’s whale likely more often than not overshadows Melville’s skills as a poet and his chronological place among his contemporaries. His talent is demonstrated in the two selections included below.



Shiloh: A Requiem (April 1862)

Skimming lightly, wheeling still,
     The swallows fly low
Over the field in clouded days,
      The forest-field of Shiloh—
Over the field where April rain
Solaced the parched ones stretched in pain
Through the pause of night
That followed the Sunday fight
     Around the church of Shiloh—
The church so lone, the log-built one,
That echoed to many a parting groan
          And natural prayer
     Of dying foemen mingled there—
Foemen at morn, but friends at eve—
     Fame or country least their care:
(What like a bullet can undeceive!)
     But now they lie low,
While over them the swallows skim,
     And all is hushed at Shiloh.


Sheridan at Cedar Creek (October 1864)

Shoe the steed with silver
     That bore him to the fray,
When he heard the guns at dawning—
               Miles away;
When he heard them calling, calling—
          Mount! nor stay:
               Quick, or all is lost;
               They’ve surprised and stormed the post,
               They push your routed host—
     Gallop! retrieve the day!
 
House the horse in ermine—
     For the foam-flake blew
White through the red October;
     He thundered into view;
They cheered him in the looming;
     Horseman and horse they knew.
               The turn of the tide began,
               The rally of bugles ran,
               He swung his hat in the van;
     The electric hoof-spark flew.
 
Wreathe the steed and lead him—
     For the charge he led
Touched and turned the cypress
     Into amaranths for the head
Of Philip, king of riders,
     Who raised them from the dead.
               The camp (at dawning lost)
               By eve recovered—forced,
               Rang with laughter of the host
      At belated Early fled.
 
Shroud the horse in sable—
     For the mounds they heap!
There is firing in the Valley,
     And yet no strife they keep;
It is the parting volley,
     It is the pathos deep.
               There is glory for the brave
               Who lead, and nobly save,
               But no knowledge in the grave
     Where the nameless followers sleep.

Two Poems by Bex Hainsworth

Tuesday’s Child

My dear sweet, little sister:
an annoyance sent by angry storks.
Oh, how with floppy tongues they flock.
She is a nymph and I, Medusa.
If only they would love me the way they love her.

Her room is pink as embarrassing thoughts.
Cushions flower on her bed like rose quartz.
The curtains flush with a secret,
falling crushed on the carpet.
The only survivor is a nervous wooden door.

I despair of her blushing room.
I want to throw paint on her walls
and make one vast black hole
to draw out the crimson bloom
like venom from an aching wound.

Yet, she knows the words and looks that cut
only mask an older sister’s love.
I remember the night before her operation
she crawled into my bed at 4am
and I held her while she shook.


Arcs

At twenty-two, I accepted a teaching job
and moved into my first apartment.
Tucked away in the hips
of a hollowed-out hosiery factory,
my walls were red brick and white plaster.
That winter, every morning alarm began
in the dark. I set the coffee machine spluttering
and turned on BBC News:
the perfect emulation of adulthood.
Back then, I didn’t know
we were sharing the same cold.
You lived in the ribs, in a perpetual
blanket cocoon, eyes narrowed at the puttering
of the electric heater. I dragged my duvet
to the living room and marked essays,
your almost-image, imperfect parallel.
When they dug up the king in the car park,
I wonder if you joined me in the crowd
that gathered only yards away from
the rosy bones of our chilly homes,
trying to catch a glimpse of a funeral
five hundred years in the making.
Maybe we were shoulder to shoulder,
then turned and walked away from each other
along the arcs of a five-year circle.




Bex Hainsworth is a poet and teacher based in Leicester, UK. She won the Collection HQ Prize as part of the East Riding Festival of Words and her work has appeared or is forthcoming in Visual Verse, Neologism, Atrium, Paddler Press, Canary, and Brave Voices Magazine. Find her on Twitter @PoetBex

“I Am Spending Down” by Glenn Ingersoll

I am spending down my life.
I had too much of it stored away
in jars, in file cabinets, in pecunious banks.
So I get some of it out
to spend frivolously,
to give to others some.
Getting out what was put away for later
has fascinated by what
didn’t happen,
what began but only went on so long.
I forget for a moment I was alive
even then,
doing as much as I could.
I didn’t know I was stowing away could-have-beens.
I thought the crumbs put aside
weren’t nearly enough,
not for that day,
not for any day I was already in.
Yet here they are.
Here they are piled up –
too much for me,
too much for me
even now.




Glenn Ingersoll works for the public library in Berkeley, California. His poetry reading & interview series Clearly Meant is on covid hiatus, but videos of past events can be found on the Berkeley Public Library YouTube channel. Ingersoll’s prose poem epic, Thousand, is available from bookshop.org and as an ebook from Smashwords. He has two chapbooks, City Walks (broken boulder) and Fact (Avantacular). He keeps two blogs: LoveSettlement and Dare I Read. Poems have recently shown up in Sparkle & Blink, Rejection Letters, flux, and Spillwords.

“End of the World” by Mary Paulson

While you’re taking a shower or
mowing the lawn, buying
a banana at the fruit cart—
an abrupt,
soundless silence—
alien, lacking vibration, ambition,
movement, it perforates
the tender membrane, consciousness
leaking, tiny holes punched
with impossible speed, this
un-sound surrenders
existence for you. You strain
tiny human ears to not hear
absence, unimpassioned annihilation,
feel your peripheries
dispatched, the
whole design undone—

Remember seasons? Plots of
summer books? Parents
before they got old? Wasn’t I also
going to grow old?
Remember West Wing re-runs
in bed with the dog?
In the midst of erasure, I find myself
crying for the dog. I hold
in front of me what’s left of my
open palms. Was everything
I once held impossible?

My hope is
we will be fearless—
as a species—
finally fearless, gentle,
quick to forgive—
that we gulp at the dark
last call with an open-mouthed yes.
Then, newborn sleep resembling
vastness, up in a treetop
somewhere
with the stars.




Mary Paulson‘s writing has appeared in Slow Trains, Mainstreet Rag, Painted Bride QuarterlyNerve CowboyArkanaThimble Lit MagazineTipton Poetry JournalThe Metaworker Literary Magazine, Months to Years, Speckled Trout ReviewFleas on the DogChronogramSwamp Ape ReviewPine Hills Review and Backchannels. Her chapbook, Paint the Window Open was recently published by Kelsay Books.

Two Poems by Michelle DeRose

Dilemma

Say a cat limps into your yard,
a cat with singed whiskers, a fear
of play. Say your six-year-old
pounces at the chance to love
a smaller creature, builds it forts,
blanket beds, preserves it
the last bits of his favorite dinner,
falls to sleep draped beneath
its paw and awakens early.
You try: post signs, ask around,
check the paper’s lost and found.
He pleads to put the paper down.
You finally do. He names the cat.
Wilks is sleeping on his lap
when you learn your brother’s
friend’s neighbor lost one, gone
when his son held its head too close
to a candle. Really is all
he says. I leave it up to you.


Epic of a Winter Evening

Let the muse be silent! The fire’s lit.
The only song belongs to the log’s hiss.
Cradled in perfection of the fit,
my head rests in this underworld of bliss
where the curve of my cheek slides easily to its place
of neck and shoulder joined above the heart.
I need no armor, desire only to face
you unadorned, no sting of a god’s dart.
I sing of your arms, fated to draw me
deep into this Thursday night of snow
to ponder the night’s only mystery:
the rise and fall of flicker, ash, and glow.
Though fate ordains the adversaries fight,
Hector couples with Andromache tonight.

“Epic of a Winter Evening” first appeared in The Sweet Annie & Sweet Pea Review.




Michelle DeRose teaches creative writing and African-American, Irish, and world literature at Aquinas College in Grand Rapids, Michigan. Her most recent poetry has appeared or is forthcoming in Dunes Review, Making Waves, The Journal of Poetry Therapy, and Healing Muse.

“Sold” by Susan Jarvis Bryant

I. Summer Honey Crush

Soft, silken lips shone from her screen last night.
She saw them, plump and ripe, as smooth and lush
As velvet peaches kissed by Sol’s delight.
If her smile blushed in Summer Honey Crush
She’d beam a flirty grin to light his eyes –
That guy who rides the seven-thirty train
To Charing Cross would turn her sighs to highs.
They’d brave the slate-grey skies. They’d waltz in rain.
They’d skip through puddles in Trafalgar Square
(Just like the lovers did on last night’s ad)…
Like Piccadilly clouds, they’d float on air
To rainbow zones where joy eclipses sad.
Their lips would lock and rayless days would rock…
But Summer Honey Crush is out of stock.


II. Silver-Stardust 

She rides the daily seven-thirty train
To Charing Cross – she lights his humdrum trips.
Her muted beauty has no need for vain
Displays of painted nails and glossy lips.
He dreams of wowing her with glam and glitz.
They’d cruise in bliss to bistros by the beach –
The soft-top down, they’d laugh and sing and kiss…
But wishes, priced sky-high, are out of reach.
That Silver-Stardust, red-trimmed, sporty car
(The sleek, pristine machine on last night’s ad)
Would spin them through the spheres to Shangri-La,
Secure her heart and make his ever glad…
They’d melt beneath the moon, him and his honey,
If only he had Silver-Stardust money.




Susan Jarvis Bryant has poetry published on Lighten Up Online, Snakeskin, Light, Sparks of Calliope, and Expansive Poetry Online. She also has poetry published in TRINACRIA, Beth Houston’s Extreme Formal Poems anthology, and in Openings (anthologies of poems by Open University Poets in the UK). Susan is the winner of the 2020 International SCP Poetry Competition and has been nominated for the 2022 Pushcart Prize.

Two Poems by Luca D’Anselmi

The Basement

Come with me to the basement, where we dry
prosciutto from the crisscrossed beams, and keep
clay jars of water to humidify
the air that’s always evening air, where deep

set rows of iron nails have slowly bled
their rust down ancient frescoes on the wall,
or what remains of them: a soldier’s head
that’s looking for its feet, and in a shawl

a mother clinging to her privacy
who crumbles as she views whatever sight
was painted next to her—now empty space—
her prayer unraveling for eternity
inside a ragged breathlessness of fright
and trembling as she tries to hide her face.

“The Basement” was first published by Wine Cellar Press


Librarium

I think of you in the librarium
where I store letters, histories, and memoirs
pickled chronologically in jars
of brine and vinegar, though sadly some
books of astronomy exuded scum
because their illustrations had dissolved,
and others inexplicably evolved
ecologies in equilibrium,
where algae thrive, and young monastic snails
take vows, grow old, outlive their lovers, grieve
for old miscalculations, slowly leave
mixed messages behind in slimy trails,
and clean the inky glass so I can see
unopened letters that you wrote to me.




Luca D’Anselmi teaches Latin and Greek. He lives in Bryn Mawr, Pennsylvania.

“Umbrella” by W. Roger Carlisle

You were my first imaginary friend,
my sword for attacking
pirates, the trusted keeper
of my own black magic, a large leaf
of cool and shade, my witches broom.

Your canopy protected me from the dark clouds
of my mother’s illness, the critical voices which fell
in sheets, the accusations raining from bottles of alcohol;
your fan of blackness
kept me safe in the darkness of my room.

As I grew older, the circumference of my umbrella grew,
it’s presence became the spirit of my father,
always with me night or day,
rain or shine, stubborn, stable, resilient, strong,
so quiet in his love.

I trusted the stories we wove together
into the stretched black cloth
over the ribs of his old skin and bones,
through the patient listening of his old soul.

He was the one who walked beside me
the rest of my life, a listening presence,
a forgiving voice; straight or collapsed,
always ready to spring into action.

My shield against bad weather,
my copilot in a storm,
I could hold on to him in a breeze,
fly above the clouds,
see the world through his eyes.

He was the wind at my back,
a parachute of courage,
frail yet strong,
easy to carry, always keeping me dry.




W. Roger Carlisle is a 75-year-old, semi-retired physician. He currently volunteers and works in a free medical clinic for patients living in poverty. He grew up in Oklahoma and was a history major in college. He has been writing poetry for 11 years and is a nominee for a 2021 Pushcart Prize. He is currently on a journey of returning home to better understand himself through poetry. He hopes he is becoming more humble in the process.

Two Poems by M. J. Gilbert

When Molding Disappointments

When molding disappointments,
From best intention’s clay,
Let anger’s fires turn them stone
For heirlooms of dismay;

Display them in the open,
In plain and public view;
Keep them well and pass them on
As some were passed to you.


Funnel

Life is a funnel
All traverse

In full career
And in reverse

Propriety
A funnel too

That bids me travel
Forward through

What darkling virtue
May decree

Circumference vast
Or Decency




M.J. Gilbert was too businessy for the academic world and may be too academic for the business one. We’ll see. He has a Ph.D. in Literature from SUNY Stony Brook and is the author of The Riddle of Firelight, a Most Curious Winter’s Tale. He loves poetry, lives in awe of good poetry, and appreciates the rarefied irony of sending lyric pieces to Sparks of Calliope.